Catalogues / Videos

Visionary 2020 - Cathy Hegman's Solo Show

Visionary 2020 - Cathy Hegman's Solo Show

October 15, 2020

Organized Abstraction Digital Catalogue

Organized Abstraction Digital Catalogue

April 4, 2020 - Jules Bekker

Jean Glenn in conversation with Timothy Tew

March 16, 2020

Dane Carder in conversation with Timothy Tew

March 16, 2020

The Exuberant & Talented Cameron Ritcher Wilson

March 12, 2020

Stephen O'Donnell: When Clothes Unmake the Man

February 11, 2020

Charles Keiger: Magical Stories in Paint

February 11, 2020

Serhiy Hai: New Paintings - Digital Catalog

October 17, 2019

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Sergiy Hai is one of Ukraine’s most important contemporary artists. Born in the late 1950s, Serhiy Hai (better known in the Russian market as Sergiy Hai) gained an important regional reputation and has exhibited extensively in Ukraine, Russia, Eastern and Western Europe, and the United States.  His work is in museum collections in Ukraine and in many private collections across Europe and in the United States. In 2019, he was chosen to represent Ukraine at the Florence Biennale.

This 2019 exhibition, is Hai’s fifth at TEW Galleries. The show features powerful paintings with typical strong design and an inventive approach to medium. Also included are bold figural ink wash drawings. As in the past, the scope of Hai’s typical imagery is quite narrow—he paints and draws nudes, figures, equestrian works and still life.  These select themes are revisited over and over again in infinite variety and brought to life through the artist’s intimate perspective and impressive technique. 

From a technical standpoint, Hai’s unique application of layered paint can, at times, be heavily applied, while in other instances, manifests as barely discernable washes of color. His virtuosity is undeniable; so too, is his use of smoky-rich tonalities which lend great drama to his works. The artist’s imagery is high impact, with little that is pictorially extraneous. His subjects are forthright; direct and simple without being simplistic or in any way naïve and the paintings, while masculine, are luscious and extraordinarily sensual.

Hai’s unpretentiously quick and direct approach to painting displays a lack of sentimentality but also has an extraordinarily gentle aspect; while his love of sinuous, lyrical line, cherished settings and evocative chromatism is entirely seductive. 

Hai’s art invites viewers to join his reverie by suggesting outcomes yet leaving the narrative squarely in the observer’s own imagination.

̶ Jules Bekker, 2019

Amy Donaldson: New Paintings - Digital Catalog

Amy Donaldson: New Paintings - Digital Catalog

October 5, 2019

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Occasionally we come across an artist whose work immediately feels right and TEW is pleased to introduce the painter Amy Donaldson to our gallery clients.

It is not often that we find an artist with really solid technical skills and a mature visual voice. Amy Donaldson fits the bill on both scores and, to cap things off, her work is, simply put, satisfying and beautiful.

Donaldson’s mark making and paint application is energetic and robust with decisive brush strokes. Her paint runs the gamut of thin washes of color to thick slabs of oil and her marks change from lyrical lines drawn with a paintbrush, to stabs of color, applied fast and intuitively.

She is influenced by impressionistic landscape, of that, there is no doubt, but Donaldson also has a deep understanding of abstraction, compositional elements and spatial visualization. Her works are both dense and airy and, as the eye moves across the canvas, there is always a surprise, or an energetic interaction between marks, or color and brush strokes.  Her work reminds one of the riparian edges of stream beds or ponds, of wildflowers in thick grass, of reflections of sunlight and sky on the water’s edge.

These are livable paintings…alive paintings…that invoke the sensation of a deep draught of air on a clear day. Other interpretations may be divine flow or divine communication, but, however you see her work, you will also feel the energy behind it.

̶ Jules Bekker, 2019